Sunday, September 6, 2015

JD DeHart- Three Poems


JD DeHart is a writer and teacher.  His chapbook, The Truth About Snails, is currently available on Amazon.


Born of Wire

crossed, electric
the small face
emerges, blue
and sparking


Hey Babe

she calls digital
across the wave
of space and distance
a voice simulated
and somehow changed
from the time he knew
her in the real world


Game Player

jacked in
leaving the desk job
behind
the game player soon
found
the door to only open
one way
so settled in 
for a many-leveled
ride
 
 

John Pursch- Three Poems


Bunk Bed Apple Skyline

Early eerie pods erode
to deep despotic Oreos,
plugging wired and burping
suns with capillary comet blurs
of bluish posse pomegranate,
infiltrating the Crusades from
softened planet hideaways.

Vans erupt in burbled fog
extrapolation paid by dinner
shower sovereignty to savored
feasibility of muted tans
in docile eye soliloquies.

Through the grated calm
a steamboat sighs replacement
plumes of misty hoodie
wink-a-thons of hyphenated
halftrack dolls in merry manic
discotheque denomination dance.

Heretical ideals escape
in raw notational belief,
scoring duvet governess
unveilings of another
bunk bed apple skyline blue
in forest knolls of sheer
metallic flounder.



A Softly Peeling Urge

Hired anonymous crunchers
spread the word from
semaphore amalgamation
texts of ancient hieroglyphic
floods with bike infusion pumps
of faux androidal lollipops,
masquerading as teenage
undercover mules on strictly
party slant to parity in bilge
of mollified retreat from
self-effacing roguery
of enigmatic grace.

Even so, brow line
simian confusion silt
collects in systematic
flecks of toothy smile
and metaphoric hair,
splashed to sunrise trip
parade of moon caress
and softly peeling urge
exceptions, flipping
rumored carousels from
film to pterodactyl moans.



Stairway Minotaur Exclusion

Apes rehearse their lugged intent
within entendre cigarettes
of turbid laminectomies,
preventing sweetness
from caressing boldly hushed
and chiral phonic tourmaline
inception chords of two-timed
encephalics.

Swine collect the heinous payment,
scrolling up to bubbled raft
skullduggery of process-level
patrons in supine romance.

Duplicated leeward shouts
imbue the horsehide collarbone
with serpentine deficiencies
of snappy school thesaurus eyes
and stapled judgments sold to
womb commuters.

Xenophobic creature calm
of furtive coda close enough
to ointment spires of paraffin
enclosure cops in beach
receipt occasion.

Scooters paste secreted punks
to chad religion nomenclature,
peeved at stairway Minotaur
exclusion booth repairmen. 


John Pursch lives in Tucson, Arizona. His work has been nominated for Best of the Net and has appeared in many literary journals. A collection of his poetry, Intunesia, is available at http://www.lulu.com/spotlight/whiteskybooks. Check out his experimental lit-rap video at https://www.youtube.com/watch?v=l33aUs7obVc. He’s @johnpursch on Twitter and john.pursch on Facebook.



Matt Margo- Two Poems


lines shifting

lines shifting themselves into shapes:
denim shapes, found shapes…

denim drug-and-out, i have read your play.
offer your usual prank of goat heads, prompting

some obituaries,
electronics, ordeals, an aesthetic, a beloved buffet…

electronics took of electronics, electronics with personnel—
i am the electronics,

i am a townie’s clank,
always the sewer, the dramatic communion…

to the syringe sleeping in the weatherman:
come as you are, tarry not over your traffic!

take, oh, take those longbows away!
take all my mallets, my mallets, yea, take them all!

the frail lip of junk opens its red navy.
stamina, the sycophant stimulant, is this year’s pleasant lampshade.

aloof and lumberjack-hearted, i take to the open rumple.
my music stands at the statuesque drudgery, laughing…

i do not understand the portraits who tell me to stare;
i do understand excrescence.

everyone looks at me as if i’m a refinement.
everyone suddenly buzzes out, singing:

“when my fiction held its bit line-up,
many believed in the stitches…”
  
 
zombie enby

zombie enby grins a little grin
made of sweetbreads and sparklers—

the grin of a very slow slowworm,
the grin of a boozehound hungry for bourbon…

zir dead posture and zir dead swagger sway.
zir life’s little labors, they’ve lost their molars…

still ze smiles, opening zir polymath textbook
to a page coated in old lochia.

three eels come swimming from afar.
all the obtunded eels come to zir.

ze whistles out a ghostly gluestick tune,
a lonesome shanty headphoning forward…

mango-colored housemothers with leopard ligaments
ring around zir waxen melody.

the melody—afraid—falls seasick,
swallowed by a boatswain’s words:

“soon you will be where fog meets flotilla…”
it withdraws into itself, fades out as a failure.

but failure is counted sweetest
whose broken yield is a debunker of autonomy.

zombie enby understands this
and smiles still, zir cyan sun having set.
 
 
Matt Margo is the author of Blueberry Lemonade (Bottlecap Press) and When Empurpled: An Elegy (Pteron Press) as well as the editor of Zoomoozophone Review and experiential-experimental-literature.


Sunday, August 23, 2015

Alan Catlin- Three Poems



Day of the Triffids

Life here is a form an alien culture
brings to men made sightless by light.
In gardens, new seeds are growing,
and transformations are taking place
that no one can be made aware of
until it is too late.  Plants seek
nourishment in human flesh they enfold
into tendrils made sticky with wanting
and with death.  Once inside the mad
embrace, there is no escape; what began
in wonder, will be concluded in fire.
All the villages are damned now. 
Erecting walls cannot prevent what has
already happened inside.



Red Desert

The final stop on his cross-country
dream trip of a lifetime was at some
place on the edge of  a dead valley with
a name like Never Open Café: bar
and grille, featuring house special of
rattlesnake subs and, for the tourists,
burgers and fries, essentially the same
stuff in a different form.  He ordered
a sub that tasted like chicken heavily
spiced with hot sauce, Tabasco and jalapenos,
with a dash of red peppers that made
fire ants’ sting feel like a puppy’s nip.
Two glasses of water only made the pain
worse. Decided to have what the locals drank:
Snake Venom a sickening combination of
Mountain Dew, Hawaiian Punch with
a liberal dose rotgut white tequila,  
that was smuggled over the border
in skull and crossed bones containers
labeled as toxic chemicals, which wasn’t
far from the truth. Locals, those sexless,
shriveled creatures with skin leathered
and wrinkled by dry desert heat that had
sucked the life out of their bodies, watched,
as he ate and drank, with hooded eyes,
nictitating membranes that pulsed and
fluttered as they drank their own liquid
deaths in the afternoon. His passing,
if he had been aware of it, would have
seem odd to him, so unexpected and incongruous:
dying, at lunch, among strangers in a place
the middle of where life had once passed by
on the way to somewhere else and had always
meant to return to and establish a community
but never had gotten around to it.  No one noticed
when the end came: the unpaid guest check
on the bar amid the remains of the rattlesnake,
the venom.



Repulsion

The dead object in her purse
is the skinned head of a rabbit.
Seems almost innocuous, lying
there amid rumpled tissues,
apartment keys, a small wallet and
makeup items.  Innocuous that is,
compared to what will occur later,
what the head signifies in terms
of what is happening in her mind,
full, as it is, with a host of demon lovers
who take her pinned against a cracking
wall made pliable by intense heat
and all the tremors her brain has
been made to endure. Her young,
exquisite body is nowhere near as
ravaged she thinks it is, despite being
left uncovered by all those intense dreams
that removed all the outer layers of
her skin. Still she feels threatened
and marked by the unseen while all
about her, the natural world decays.



Jeffrey Park- Three Poems



Bio: Jeffrey Park lives in Goettingen, Germany where he is Lecturer for Scientific English at the Georg-August-Universitaet. Links to all of his published work can be found at www.scribbles-and-dribbles.com.


 
AFTERMATH

Long after the resistance
has been crushed
and the shimmering network
of attack vessels
has faded from the sky –

after the last traces
of organic life
have been cleared away,

radio waves crackling with
alien transmissions
writhe over the land,
blanketing once-fertile fields
with harsh white noise.



MORAL HAZARD

The way they squirmed and struggled
and carried on emitting bubbling noises
from their repulsive fleshy orifices,
almost as if in an attempt to communicate,
you might have imagined – just for
a moment, mind – might have imagined
them to be sentient beings of some sort.

Ridiculous, of course, to entertain such
thoughts about primitive bipedal life forms.
Nevertheless, in a purely hypothetical way,
one could allow oneself to speculate,
to conduct a thought experiment of sorts –
if it really were so, my goodness,
what kind of monsters would we be?



ROUGH SPORT

Just neighborhood kids,
harmless enough in their own
xenophobic way.

They never preyed on
weaklings or stray dogs,
but they showed little mercy
to any aliens that chanced to
fall into their hands.

Jesus, how this one stinks
when you poke it with a stick,
the boys would shriek,
quick, check this out,
this one’s full of lemon goo!

Boys will be boys,
the old folks would always say.

And really, who’s going to
have much sympathy
for creatures so damn stuck up
as to refer to themselves as
“extra” terrestrials?
 
 

Denny E. Marshall- Art
























Denny E. Marshall- Three Poems



Three Haiku


UFO landed
Should have picked a better spot
Than on a live mine

 
UFO landed
No one even noticed them
At one half inch tall

 
UFO stranded
Nothing wrong with the spaceship
Lost the keys again