Sunday, November 2, 2014
Michael Keshigian- Three Poems
MIDNIGHT ACTOR
Often at midnight I’ll go out to see
an abundantly clear sky
and its cast of starry characters,
playing lead roles
in their own dimensions.
I stare upward on a bed of grass
as the lingering heat of the day
penetrates cotton fabric
which covers my back.
The night quiet soothes me.
I venture to become part of the scene,
take my place in the universal drama,
a fragment of infinity,
belonging to an existence
greater than the value of man.
But the part overwhelms me,
the boundless stage is frightful,
space and time alter my perception
and as small a role as I play in the production,
I no longer feel comfortable with the script.
Abruptly, I rise
to return to the friendly lights
and secure surroundings of home,
happy to be a leading character
in a lesser presentation,
a star with gravitational force
in a personal galaxy,
aware that upon another midnight,
I’ll attempt to compromise my casting
in the grander scheme.
SPACE DIRT
In the living air
of bedroom darkness
a ray of sunshine
pierces the margin
of a drawn shade
and dust celebrates
with a dance
on the bottomless stage
twinkling like stars
in the lifeless corridors of space
floating amid empty tunnels
and illimitable holes
after an unparalleled boom
which resulted in particulate
with one minuscule speck
of inhabitants.
THE FIFTH LEVEL
The moment arrived
when I bridged the chasm
between chronological time
and the timeless holes of space
to bask in the wonderment
of stasis. Death kicked my rear
beyond the realm of mortality
toward the gangplank
over the sea
of chaotic debris
where the brave swim
in swirls of creativity
to shape floating potential
into radiance
singing human essence.
With a jump
I submerged into a void
of unlimited aesthetic possibilities
adrift upon Earth
and about the unfiltered universe.
Michael Keshigian’s ninth poetry book, Dark Edges was recently released this September, 2014 by Flutter Press. He has been widely published in numerous national and international journals and appeared as feature writer in over a dozen publications with 5 Pushcart Prize and 2 Best Of The Net nominations. (michaelkeshigian.com)
Saturday, November 1, 2014
Ayaz Daryl Nielsen- A Poem
Zombiecoup
another fallen chunk
as the zombie sighs
a lung detaches
zombies soaked
by morning’s acid mist
bubbling puddle-goo
dental hygienist
screams as a maggot
falls from my nose
epidemic
tearing another friend
into beefy chunks
remote train wreck
many severely injured
zombie magpie food
black and red dawn
fading rumble of a
graveyard nightmare
transmogrify into this
dead awakening. . .
grasping my wife as
she chews on my arm
living as the dead
soon enough, whatever remains
of everyone
werewolf, vampire, zombie,
oh, my! so many shortcuts
to immortality. . .
ayaz daryl nielsen, husband, father, veteran, x-roughneck (as on oil rigs)/hospice nurse, editor of bear creek haiku (25+ years/120+ issues), homes include Lilliput Review, Jellyfish Whispers, Boston Literary Magazine, Dead Snakes, Shamrock, and! bearcreekhaiku.blogspot.com (translates as joie de vivre)
Thursday, October 30, 2014
J.D. DeHart- Three Poems
Lore
we don't care about
the demons
of old, the ancient texts.
they are just scrolls
in a gift shop.
but when we met
the source, with flaming eyes,
we knew we had better
not bottle and sell
his special snake magic.
Artificial (2)
they have propellers
and rudders
and, if that's
not enough, their bow ties
turning in the breeze
like windmills.
they move forward,
face
like us, smell like us,
but decidedly diverse.
Sternum
he woke in the morning
a light pain
that grew into a larger pain.
by noon, when the other
emerged from his chest,
he was too fatigued
to call it by name.
Sunday, October 12, 2014
Alan Catlin- Three Poems
A Different Planet for Bartenders
I guess it was
assumed I was
supposed to be an
inexhaustible source
of useless information.
A noise finished on
the infernal machine
and he asked me:
"What was that, how
many minutes is it &
who was the artist?"
"First of all, "I sd
"If you're referring
to the noise, I have
a blocking mechanism
that blots that out.
Secondly, I like
Mozart and that wasn't
by him.
Lastly,
if we're going to do
trivia let's do
something interesting
like how many symphonies
did Haydn write
or what do the initials
of famous writer's
stand for.
I'll go
first Thomas Sterns is
for T.S. Eliot."
The look he gave me
suggested I wasn't
the type of bartender
he was used to.
He might even think
I was that legendary
bartender from
another planet.
Transmissions from
space.
All kinds. Mostly
radio
the future will look like
once
we take
over.
It won’t be pretty for you
guys
that’s for sure but given
what
you’ve done to this
planet,
what do you
expect?
Yeah, lots of people have
said
I’m a few pills short of a
commitment.
Truth is I have been
committed.
Bunches of times. In fact, I’m out now
on a work release
program.
Gathering information. That’s my job,
king o sabe. I’m working
incognito like
James Bond only better
looking.
Nothing some cosmetic surgery
and a few
false teeth couldn’t
fix.
Gotta cigarette? No, how
about a quarter?
No, it’s doesn’t pay
well. Hey, when
you’re
a sleeper agent, you have to
take the good
with the bad. You know, go
with the flow.
Be authentic, dude. I’m as authentic as it
gets.
I do have one major
worry. Sometimes I
get
video messages. I know most people
would
need a TV for that but I’m
different.
The problem is the signals
are changing
and I don’t have a convertor
box.
What if a vital message comes
through
after the change and I don’t
get it?
Where will I be then ? What will I do?
“Do you believe in aliens from other planets?
I do. And they have much longer memories
than ours.” Christopher Reiner, “Pain”
After the alien abduction, she swore off
derelicts and drunks, said she was a changed
woman, something like a nun but not quite
as pure, a kind of bride to a Christ with
no hair, a long white beard, who stood
twelve feet tall.
Naked, he was like a God
and after she gave herself to him there would
be no other. She swore he said he’d be back
for her when the time was right, though she
neglected to ask how he measured time,
a failing that might prove fatal if his standards
were radically different than ours. Not that
it
mattered to her; she’d wait forever if
necessary.
She’s still waiting.
J.D. DeHart- Three Poems
Fabric
The first person to touch
the fabric
Fell into a crystal sway of
capture,
Held still by its ice.
Then the next, then the
next.
All told, hundreds gripped
it
Before realizing to handle
with care.
Now the fabric rests behind
a curtain,
Carried there delicately
By outstretched arms.
To destroy the fabric would
be impossible.
Every now and then a child
or an old
Person with forgetfulness
still stumbles in
And has to be unfrozen again.
Desmond Dark
He’s got the shades,
Of course, the dark
armor
Underneath a long
ebony coat.
He brings the night
with him,
Even at the beach.
A sudden tempest,
the pasty
Sunbathers buried in
shadow.
He can’t help it,
it’s his power,
It’s his art, the
swirling of chocolate
Thick evening comes with
his passing.
He hasn’t seen the
sun in years,
And though tough,
cries for its blazing
Memory.
The Tangle
We began to walk
earnestly enough,
Then were pricked by
thorns.
Stung by the
occasional bee.
We were ready to
head back, but the vines
Would now allow it.
So we trudge on
endlessly, occasionally
Sustained by some
twigs, a bit of fruit,
Skin stinging with
disobedience
To those who told us
never to venture
JD DeHart is the author of the chapbook, The Truth About Snails. He is a staff writer for Verse-Virtual and his blog is jddehart.blogspot.com.
John Pursch- Two Poems
Now
With billions of brains working full time,
it’s likely that someone will someday
try to remember this very moment.
If we listen carefully,
maybe we’ll hear them searching,
or see their lookup rippling the shadows,
or feel the rumble of their memory waves.
How does the brain search the past,
seeking stored experience?
Maybe it does something akin to
reliving certain moments,
acting as a kind of time machine.
This invites us to compare
being and remembering.
If we can’t tell the difference between
the present and a perfect recollection
or a flawless premonition
and a deeply vivid dream,
maybe that’s because there is none.
Bobble E. Lee
Suppose
you wish to take a vacation to the Battle of Gettysburg. You contact your local
time travel agency, pay for the trip, appear at their facilities at the
appointed hour, ingest a time travel tab, relax in a comfy bed in a private room,
seem to drift off to sleep, and find yourself in a field or on a hill or in the
woods or marching down the Chambersburg Pike, toting a bed roll and rifled
musket, wearing blue or gray or butternut; maybe you land in mid-battle, Minie
balls whizzing by, comrades shouting and falling, chaos everywhere….
In
an instant, you forget that you’re time traveling and actually become a person
who has always been at the Battle of Gettysburg, a part of history, essential
to that moment, quickly absorbed by the flow, forgetting yourself for the duration
of your vacation.
This
complete immersion prevents you and other time travel tourists from changing
the consciousness and behavior of the original combatants. Not only are no
additional physical bodies injected into the battle, there is no additional
awareness; any of these would change events, shoving the target into a new
timeline. Thus the integrity of the past is maintained, even as millions routinely
time-travel to that fateful weekend in July of 1863.
So Bobby
Lee ends up being occupied by millions of visiting scholars, day trippers,
wayward housewives, foreign dignitaries, avid reenactors; his consciousness
simply absorbing them, not missing a beat. Despite their historical knowledge,
he still fails to heed the protestations of Longstreet and Hood, abandons his
tactical defensive policy, insists on doomed attempts to take Little Round Top,
and finally orders Pickett’s Division to march face-first into volleys of
canister. One might say he fails unfailingly, repeating his actions every time,
but it is this precise repetition of events that defines them as happening only
once, forever. He always makes the same decisions, the wind blows just so; now
it’s silent, the batteries begin, limbs detach and take flight, thousands fall,
identical cries of dying men emerge from Devil’s Den precisely now, forever.
A
couple of words on how time travel drugs work. Simply put, they act upon the
brain, enabling and triggering perfect recall and more. The subject is first
sequestered in a dark room, where his or her body will be safely stored in a
climate controlled module for the duration of the trip. The drug is
administered; within minutes the subject regresses through his or her life
history, reliving key events in startlingly accurate and ever-increasing
detail, until it is impossible to distinguish memories from reality. At this
point, a limited time-slip ingredient kicks in. The subject’s consciousness
then goes off the rails, so to speak, and begins accessing events beyond its
known past. Up to this point, the process could be explained as simply an
incredibly vivid form of recall; after this, the brain is actually scanning the
past, beyond its physical history, something like the way we search the internet
for stored information.
In
short, the brain is a time machine, capable of transporting a person’s
consciousness back in time (remembering) or forward (extrapolating, predicting)
or even across timelines (imagining). The so-called time travel drugs are
simply chemical agents that enhance, enable, and trigger these activities.
So
much for time travel tourism. In the highly classified military-industrial
realm, several techniques enable time travelers to physically impact the past
or future. These methods make use of the Montauk Chair, higher technologies
developed by the Days Again government, and Graylien timeline travel secrets.
In these cases, time travelers actually create new timelines from old, using
targeted events as starting points. When they modify the past, they spawn new
timelines and experience what is known as “time slip”, surfing from their
original targets to a series of modified timelines. The tricky part, of course,
is to navigate such a sequence of alternate universes and return to one’s
starting point, more or less intact.
John
Pursch lives in Tucson, Arizona. His work has been nominated for Best
of the Net and has appeared in many literary journals. A collection of
his poetry,Intunesia, is available at http://www.lulu.com/ spotlight/whiteskybooks. Check out his experimental lit-rap video at https://www.youtube.com/ watch?v=l33aUs7obVc. He’s @johnpursch on Twitter and john.pursch on Facebook.
Monday, September 29, 2014
Denny E. Marshall- Three Poems
Doubt, Doubt
Our love is shining now
Will it shine tomorrow?
Our love is happiness
Will it turn to sorrow?
Your eyes are singing messages
The notes I don’t know
You were catching some signals
That I can’t even throw
Doubt, doubt
What’s it all about
Our trust was a fire
Turned into a glow
We would get high on each other
Now we both feel low
Our faith is breaking
Cracks are starting to show
Have to release the emotion
Have to let them go
The bridge of trust we have
Will it wash out?
Doubt, doubt
What’s it all about
Angel Call
Lost in the woods walking at night
Hoping to find a guiding light
Take a wrong step and you can fall
In the sky, hear an angel call
Life is a storm blowing like sand
Signs can be hard to understand
The answers no one has them all
In the sky, hear an angel call
Pathways can be lonely and dark
The fire can lose magic and spark
Hear a voice say time to stand tall
In the sky, hear an angel call
Touch of Angel Wings
Never noticed the touch of angel wings
Then felt the unexplained, tap the shoulder
Light plays like magic and the great sky rings
Never noticed the touch of angel wings
Four times saved by the invisible kings
Each time felt the black-robe hand grow colder
Never noticed the touch of angel wings
Then felt the unexplained, tap the shoulder
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