Sunday, September 7, 2014

Alan Catlin- Three Poems

Space Invaders

They cruised into the bar
as if they'd been tripping
the light fantastic on some
Trans Siberian Railway of
the mind so totally fried,
their frayed filthy clothes
and near shoulder length hair
was singed at the loose ends
giving off a scent like over-
wrought skunk and death.
They were so obviously unwell
and primed for inappropriate
social behavior, I asked them
for their Red Cards, a request
that briefly slowed them down
to a near halt, "Red Cards?"
"Yeah, they're like Green Cards
or Alien Resident ID's only
these are for Space Invaders
from potentially hostile planets."
"Space Invaders?"
"Yeah, like the video game.
You must have heard of it, they
were popular in the last century,
right around the time you guys
were last straight and sober."
The look they gave me suggested
they didn't think what I was saying
was funny.  The look I was giving
them suggested I wasn't trying to be.                                    



Space Junkies

If it were Halloween, these guys
would have fit right in or even
if it had been New Year’s Eve or
Mardi Gras and they had been on
the way to some end of the world
as we know it party, but it was none
of those, not the kind of place that
dressing like Gary Glitters, Ziggy
Stardust  clones on some kind of
Velvet Goldmine club quest,
ostentatiously pierced all about their
bodies, tacky make up and costume
clothes like stiff out of Harper’s Bizarre,
Warhol’s Pandora Box wardrobe, body
art by some demented freak on speed
with a butcher’s knife instead of a tattooist’s
tools, the only discernible images, death
cultist symbols and the leader of the pack’s
Gothic lettered phrase” PISS FACTORY,
forming a semi-circle around his navel,
all of them stoned to the gills and clearly
hostile, in need of sedatives to slow
the virtual China syndrome chemical mix
threatening to flatline their vital organs,
close their bodies down, the take-me-to-
your-leader gesturing at the barman,
pointing at the back bar high octane rocket fuel
bottles, waving fifty dollar bills as an attention
getting aid, trying to bridge a considerable
language gap with guttural noise making
and even more frantic waving, succeeding
only in creating an image of Euro trash on tour,
way lost on some highway to hell they were
building as they went, oblivious to their
surroundings and determined to stay that way.

 

You could say

he was a tad
eccentric, used
to go into
McDonald's,
order up a Big
Mac cut into
four pieces &
have them wrapped
individually, makes
you wonder doesn't
it? I'm still not sure    
what was odder,
the demand or
fulfilling his request
without so much
as an eyelid flutter
though you could see
the counter people
thinking and would
you like some double
thick shakes for the long
ride home in your
space ship

John Pursch- Three Poems


Crab Line Falsity

Tatters slip through foisted shingles,
scanned by never-pending cribbage panning expedition capsules,
stumping hourly automat attendants into stuttered parlor voices,
sycophantic to be spurned by manly hose machine geese.

How does sanitary soothing dial emotion quotient valuation
ever hope to glide from looping trainer lunges
all the swayback temperature to cold-cocked avian revival blurbs
in checkered publican reports of hemorrhoidal carpools?

Brownies motion for fumbled sundaes,
sprinkling boatswain shorts with touched nuts,
betel seclusion, and nurtured luminaries.

Counting drowning as a sedulous din,
giggling turtles pose for shellfish tease charades,
plotting the overture to any of an underhanded fault line’s searing mother,
drained to ripened pea pod shekels.

Aft and homespun knicker bloggers barricade the dressy plants
in pickled doomsday attributes of deities and known sardine calligraphy,
zooming through the teeming sands to antsy hip-lock chugger sinks,
spoiling baleful island locos.

Snorts defrock collation comrades,
flopping cramped insteps in doorway fractal gutter beer.

Tiny igneous carriers inflect each sentient pause
with chic designer insect highs, instantly seducing
tanned involuntary pseudo broth for life.

Only toes who covet closet incremental snores could possibly impute
to baffle fever dwellers of enthusiastic cerebellar jump rope maxima,
bent on scarcely postulated hex duel oblongata pith
or otherwise entrained by serial demurral.

He mumbles pagination treats at pausing stumpers,
cropping frost in verisimilitude’s longing for stolen Mata Hari cowlicks,
dousing the river with casting guile.

She’s locked in crab line falsity,
storming past a house fly on training wheels,
bent on pellucid tantrum government by the papal furor’s popular decree.



Gravel Intuition

Tea relapsed to salad coffers,
finned with textual recumbent seas
of public reprimand and retroactive percolation snubs,
snugly frittered from palmed publicans who trifle in forensic solstice.

Flyboys scorched an auteur’s
sampled outer townhome’s durable retirement stem,
punctuating heavenly waitress spins with soiled comma haddock theses,
purloined from beachfront solipsists on nude retrenchment Ferris surveys,
gone weighty subsequent to coral hermitage decrees
of pilaf souffle emery secretion gifts.

Schoolhouse stockyard flambeau electioneers
pontificate on effluence in jaundiced opposition,
highly brewed for sleeping bag premonition matrix seduction,
scrunched to fetal armpit hollows by cortical retracement fuzz.

Booing dirt espouses twinge resection’s fearsome dribble beat,
caving only at the slightest highball’s fulgent coverall contusion,
wafted steadily from portholes of an offshore canker.

Gophers lord a henchman’s penultimate surfeit
of bleached parameter sedation over cursive signatories,
bonking before hinterland effusion footfalls.

Bobbled babies pluralize,
habituate to halfway goofy anthill eaves,
and ship cartoon snatchers into lifelong sentience
with outer mullet airway holsters,
pinching guff in awful clubfoot probability nozzles.

Froth returns from annual hardship punk,
dotting viability’s sepulcher with tonsil news
of corn march vigil underwear, creases of a timed crusade,
and stipulated antiseptic teeth, rushing to be green.

Squad choirs snake off into college bumper crust
of loan dime succor tease, concubine munificence,
and dialed remorseless samovars of wrought saliva,
frozen chords, and looping gravel intuition.



Cosmic Egret News

Ewers lap the sloping lyre,
phoning home to titular umbrella munchkins,
soaked in cough trough acne credo kitsch
from Naugahyde assembly panters.

Pythons corroborate the rheostat’s tickling causation flue,
adoring adumbration’s petticoat membranes.

Lancers tried by the skein of explanatory cygnet cringers
abide in tidal immolation trysts,
squelching solid gawkers with crawling rice militia bolts
and leonine detergent heroes.

Some need musical undertows of cribbage fare
and bonded purity’s warm spatula,
frilled with foolish fog bank flatulence,
foppish watchman steam, and sybaritic merriment,
won by sharpened ball peen humpback noggin raps,
bumpy shed repeater copies of catwalk prison imposition,
and seashore crooning bellowed deep into the natal piety
of evening armchair kisses.

Others shamelessly peruse the scatological catalogs
of inline scorn and jubilation’s tawdry disembarkment skewer,
helping the condemned in dwarfed evisceration panoplies
of poplar pestilence gone sour in burly April cadences,
twisting savage shoals from bayside gruel
to scattered sunrise dumping fawns in bifurcating seasonal circuses.

Toying with mulish enmity,
anonymous brokers sigh and pelt the passing train
with braying eel skin clothiers, coughing up caboose contents,
smudging seditious cockpit loins with prized perpendicular stubble,
sworn to haberdashery by a gloomily emphatic nasal bumpkin’s filial commode.

Excursions from manhole covenants reveal plated sweep days
of cosmic egret news and teary flyboy circumstance,
pitting soaring pock mark joy against a stolen applecart’s hubristic demolition,
all for geegaws of monocle bemusement bricks,
fluttering to August in a syllable’s tawny moan.



John Pursch lives in Tucson, Arizona. His work has been nominated for Best of the Net and has appeared in many literary journals. A collection of his poetry,Intunesia, is available at http://www.lulu.com/spotlight/whiteskybooks. Check out his experimental lit-rap video at https://www.youtube.com/watch?v=l33aUs7obVc. He’s @johnpursch on Twitter and john.pursch on Facebook.


Wednesday, September 3, 2014

Ayaz Daryl Nielsen- Three Poems

new moon peeking
through gossamer clouds -
the convalescent 
space pilot waits
within his yearning

(above poem appeared in scifaikest's August 2012 issue)


a long day on
the assembly line -
my soaking tank
filled with hot lubricant
almost to the brim

(above poem appeared in scifaikuest's Feb 2012 issue)


Good Hunting

As I stride this busy cobblestone 
road on my way to a surprise bash deep
in Darkening Forest, ravens perched upon
lightning-decimated remnants of the old
hanging tree chortle “good evening, good
evening,” a huli jing in human form with
long red hair, a thick luscious tail and a
sensuous smile undulates across the road-
way in front of me licking her lips as our 
eyes meet and I would choose to follow her,
but, “good evening, good evening!” from
the dwarves sitting beside the roadway,
belongings in their broad backpacks and
fear across their faces, and a “you’re late,
you’re late, for a very important scrape!”
insists an upright marmot holding a time-
piece as he scurries by...finally!! - the 
thirteen foot (and some few inches) dire-
ogre, its four arms with taloned hands
swinging assorted deadly weapons snarls
“good eating, good eating” as it leaps toward me
from the shadows of a weeping willow’s drooping
branches - I block a descending spiked mace
with my titanium razor-sword by shearing through
the waist-thick forearm, dodge the venomous spear-
shaped tongue flashing past my face and counter
with a slash across the protruding lipless lower jaw
shearing off 3 of 8 two-foot incisors while spitting
chewing tobacco into the beast’s flat, fist-sized right
nostril (note: I am not fond of chewing tobacco, but
as we all know, tobacco spittle forced up dire-ogre
nasal passages - both nostrils is best, but one works
well enough - inevitably results in a berserk, unfocused
desire to maim, mutilate and dismember all nearby
flesh and bone plus a tree or two) engage the three
remaining arms, the lower right arm swinging a tree
limb, the upper left jabbing with splintered remains 
of a circus tent pole, tattered flags still attached (one
has to wonder where that came from) and continue to
evade the ever-flailing forked tongue as I yell to the
ravens circling low overhead and the lovely red fox
peeking from a wild forget-you-never bush, “now this,
my friends” - parry, slash, cut - “this, friends” - scrotum
kick, stab - “this” - whack, screeeech! - “is good hunting!”



ayaz daryl nielsen, husband, father, veteran, x-roughneck (as on oil rigs)/hospice nurse, editor of bear creek haiku (25+ years/120+ issues), homes include Lilliput Review, Jellyfish Whispers, Writing the Whirlwind, Shamrock, and! bearcreekhaiku.blogspot.com (translates as joie de vivre)

Tuesday, August 19, 2014

Denny E. Marshall- Art


                                                            Telescopic Look



Bio
Denny E. Marshall has had art and poetry published, some recently. He does have a website with previously published works. The web address is www.dennymarshall.com. He also has a “Guest Artist Page” on his dot net site if any artist would like to submit. (See Guidelines)

Alan Catlin- A Poem

Alien Resurrection

Three days gone and revived,
made up to look like Scarlett J.
as seen through a broken lens,
made-up like a Sex Pistol on a
bad hair day then slathered in tar,
give E and forced into a large, airless,
confining room, smoke thick and jungle
wet, Techno-Rave music at ear drum
bursting loud, searching for a note
beyond high C.  Surrounded by indoor
electric lady land laser lights,
disembodied hands and arms,
wave lengths in the air dangling
from nowhere like in a death match
of marionettes, closing in walls
pulsing, animal hot, amplified,
seem to suggest: Listen to My Heart
Beat on drugs.  Anything is possible
now, even the birth of a new life form,
an alien invasion.

John Pursch- Three Poems


Periscope Cakes
  
Catamarans and cigarettes
burn patiently at twilight,
facing blue oblivion’s qualia
with feathered neural undercoats
of sparse exclusion wafer trim,
splashed in extra vagaries
of pomp and circumnavigation.

Floral set piece reliquaries
reflect on harbor noumena
with crisply quantized stunt fanatics,
gazing out to cornerstone asperity
in purely histrionic maze relief,
touting horny dial benders,
bet to traced calligraphy
of nodal craft elusion nibs.

Soil secludes with overwhelming flavor
sighs emerging from savory tortoise poles,
wafting ashore to line-of-sight chronology’s
pineal waveform, relapsed to donkey onus shills
beneath a peculated pod of crumpets.

Shelter passes far below in rancid siren
beckonings of slave mechanic batteries,
sheepishly redacting oxen gamete flipper lore
from bayou’s brittle overwhelm in banded sag
flesh sundry pear appearance set of propwash
hagiography for dining crumb arrest essentials.

Booths touch rusty crippler berries,
leasing juicy seepage every time
a numbered stylish cone falls silently
in actual abscissa abscess overflow
to prayer nook puffer fish excretion quaff,
slimmed to unset periscope cakes.



Impasse City Flutter

Glossy hovercraft imply simple amplification,
waving pie charts at costly station ears,
foundering in open airlock dump truck stings.

Only sonic assonance applies for agricultural acquittal,
ameliorating ambitious actuarial edginess with timid squeals.

Nations pout, entrusting inlet depilation mice
to dapple ivory phyla into lusty chamomile predictors,
spattering an enzymatic sneeze with cabin application crushes.

Laughable carousers mitigate mitosis with wimpy wisps,
washing wallpaper moths in posing blotter candy crepes,
causing sobs in vacant shopping coilers.

Stacked effacement tests you fairly off and on for
cloudy hand-picked mortuary shell regurgitation gist,
flecked with salty scenic gradients of flimsy noontime
derrieres, told to burgeon elsewhere.

Deeply infected luge pennants
gradually defect to fourth-world pumping bars,
prosecuting ethyl geysers under blue striated statues
of arterial clay, barmy injection release, and
uncommonly aspirated spin cycle kinks.

Jealousy rarely airs its threadbare wedding tallow,
calling fallow turbulence by empty shuttlecock
remainder terms in fulminating angst,
but jellied close-ups glom onto requiems
for stooping littered parriers of pallet-bearing salad spiels,
improved upon in substring sequin showers of shouldered
impasse city flutter.



Dream Star Sundaes

Ransacked bumblebee hotels immerse an attic wail in sand, dyspeptic furriers deferred to queue-length bookstand marginalia retreat. Jagged accusations pickle pews in paper handiwork, limping past palimpsest skin canaries bound for mule team coal minorities of subterranean booths.

Beautifully sworn pestilence bemoans infernal highball terrace entry peas, fleeing for hired groins, kicked in quinine sisterhood by bandoliers of brothel coups. Disgraced inguinal statues funnel hissing power off deplaning convict carrion coats, lugging innuendos overhand to tipsy grief collection arias.

Tamed tigresses inter encumbered feudalism before middling sages con milled animals to exit stage cleft, cramping up in time for footholds to disintegrate in cauterized hysteria, billowing fine whines of plaintive aplomb.

A tap dance here, a fraudulent collie tarrying in loyal Quonset tundra lines, a sympathetic sampler fishing nervously off bluefin paraffin aisles, coping with shallow labrum tartuffery by entrance alley overhangs in severed blasting capstone armoires filled with bubbly; even the periodic emblem punctures our posing chillum with chili fog and Cornish ham genes, tasty to culled cetaceans aft of docile drainage tee-top maxima with senior hints of indigence and porous estate plundering, venting accrual semiannually per trepaned fin traction entrails nodding into standing water.

Dream star sundaes filter frowns to grimace gruel’s sedation piles of stillborn fugitives from jaundiced apple plies and viable surrender jets of solvent salutary knots. Choppers saddle manic cholera vacuums with calm tornado ocean liners, shopping for backspin.



John Pursch lives in Tucson, Arizona. His work has been nominated for Best of the Net and has appeared in many literary journals. A collection of his poetry, Intunesia, is available at http://www.lulu.com/spotlight/whiteskybooks. Check out his experimental lit-rap video at https://www.youtube.com/watch?v=l33aUs7obVc. He’s @johnpursch on Twitter and john.pursch on Facebook.

Sunday, August 10, 2014

Alan Catlin- Two Poems

Fuelquest

"Just my luck." You're thinking,
"To run out of fuel in East Jesus.
Where the hell am I going to find
gas in a God foresaken place like
this?" You dig out your red and
yellow gas tank from amid the ruin
of the trunk and start walking down
the unlighted back road to nowhere,
pass the sign that says: WELCOME
TO EAST JESUS  NO PEDDLERS
ALLOWED  VIOLATORS WILL BE
SHOT ON SIGHT  NO EXCEPTIONS
Start thinking this running out of fuel
business could be worse than you thought
but you don't see how and then you are
in the 42nd Street subway station still
holding that gas can and now you're
sweating bullets thinking they are going
to assume you are a terrorist so naturally
you think, "It's time to hit some bricks."
But you can't.  All the access routes are
blocked by these Homeland Security dudes
like airport luggage inspectors waving
their wands at you like they're going to
attack, then you notice they aren't airport
security at all but the dead aliens from
Area 51 dressed in uniforms and holding
these laser weapon things like a Mars Attack!
movie and you're all set to freak when this
waitress at the Roswell Eat Here Diner is
handing you a menu and you're ordering
the House Special Burger that turns out to
be this green thing on a bun slathered in
lumpy cheese which isn't doing much for your
appetite but the waitress notices and says,
"Don't fret, Son, food coloring makes
that burger green and the lumps in the cheese
are real moon rocks." Which, somehow makes
it all okay and after a few bites and no apparent
seizures a thought occurs and you ask,

"Hey, Honey, do you guys sell gas?"
And the waitress winks and says,
"Depends, what kind do you want?"
That's when you notice all the Helium balloons
being filled and how the room is filled with
Hindenberg replica blimps in all colors,
sizes and functionality reminding you that
this isn't New Mexico anymore but New Jersey
and the radio newsman describing the events
outside is saying, "Oh the humanity!" as the blimp
burns out of control, most on board dead in
seconds and you remember the gas can you
began with and decide, "Now is not the time to
bring up rapid accelerator facilitators.  Hell, I'd
rather walk anyway." Which seemed like such a
logical, such a sensible and prudent course to
take at the time, I mean, really who could have
known otherwise?



Space Cadet

After years of serious drinking,
stints in drunk tanks, begging
quarters from tourists and church
goers, sleeping it off in unlocked
rooms, broken-into rectories, sheds,
dog houses large enough to accommodate
a man not too proud to curl up in dried
shit, after years of abuse, trying so hard
to die, waking up sober, a few fingers
short of a hand, receding gums no teeth
would adhere to, falling out hair a cheap
rug might cover, a dye job mask,
a permanent cast to his eyes, feeling so
strange to be alive and breathing trying
it out for size felt like a novelty act he’d
have to experiment with while working
out all the kinks, a process not without
drawbacks like coming back from the
dead with visions of altered states, foreign
places so strange his tales of woe sounded
like science fiction or fantasy thrillers
rather than a narration of the truth,
felt like the lyric verses he was composing
in a language he’d learned on the other side;
some say it sounded like a revelation,
others like gibberish and they were both right.